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Vintage Erotica

Film

February 01, 2008

The Family-Friendly Porn Studio

Mrclean Back in the good ole' days of the 1990s, "family-friendly" movie fans reached the breaking point.

They were tired of almost-wholesome movies like Titantic being marred by coarse language and shots of Kate Winslet's breasts. They wished they could enjoy pirate films that weren't decked with profanities. They wanted their kids to have a decent breath of fresh cinematic air— and what exasperated parent couldn't sympathize?

So the White Knights took out their scissors. A group of "clean-it-up" video pioneers based in Utah, led by the "Clean Flix" company— decided to cut the naughty bits from classic Hollywood movies, and then sell their bastardized G-rated versions.

But film directors didn't like it. Big meanies like Steven Spielberg and Robert Redford sued the pants off of Clean Flix, demanding that their raw, vulgar integrity— and final edit— be left alone. Clean Flix founder Daniel Thompson was forced to his knees by the Hollywood moguls who didn't care about his honest crusade for family entertainment that one could watch without blushing.

What DOES it take to break a man? We'll never understand, will we?

But this week, CleanFlixer Daniel Thompson has been arrested for buying blow jobs from two 14-year-old girls and trying to lure them into his private "porn studio."

According to the SLC Tribune:


The booking documents state Thompson told the 14-year-olds that his film sanitizing business was a cover for a pornography studio. He asked the girls if they would participate in making a porn movie, but they refused, the documents state.

Police found a "large quantity" of pornographic movies inside the business, along with a keg of beer, painkillers, and two cameras hooked up to a television. Thompson told police he didn't know the teenagers were under 18 or that they were paid for sex. He said pornography found at the business was for "personal use."


I have to say, my tender sensibilities are completely fuckin' floored. Greta Christina wrote me, as she forwarded the news:

Is there a sex-phobic right winger who ISN'T fucking guys, hookers, or teenagers?

Any at all?

Anywhere?


January 03, 2008

Anatomy of a Smushmortion

Bilde1 I finally went to see Juno. I've been making the rounds of "Smushmortion" Cinema.

I was one of the last to see the popular comedy, Knocked Up, but I giggled my fair share. I teared up over Quinceneara. I Netflixed my way to Waitress, the most mouth-watering of the bunch. I had to leave Bella behind at the trailer, 'cause I got a tummy-ache. But who can forget Miranda's little package that started the whole trend on Sex and the City?


WARNING: Spoilers Ahead!


I'm perplexed by the newest baby-happy trend in movies with female leads. A woman becomes unexpectedly, unhappily pregnant. It's under "the worst possible circumstances."

The beautiful woman... and I mean, she's STUNNING... makes the decision to keep her baby and have the perkiest, most upbeat pregnancy I've ever seen in my life. I can't recall  a single friend who PLANNED to have a baby, who ever had as great a gestation period as these heroines.

Here's some of the things you can look forward to in your unplanned Hollywood pregnancy:


WaitressBest Sex of your Entire Life with your Gynecologist (Waitress)

Billionaire mentor leaves you all his money on his deathbed (Waitress)

Your first high school lover ends up being the most perfect love you will ever know (Juno)

You really ARE a virgin... the sperm only seeped through your jeans (Quinceañera)

Parents who rejected you take you back into their loving arms at the last moment because they realized they were all wrong (Quinceañera)

Closed adoption, another last minute decision, works out for the best for everybody (Juno)

Raising a child-like boyfriend is a darling substitute for an infant (Juno, Knocked Up)

Bella Your professional entertainment career finally takes off (Knocked Up)

International soccer star and his loving relatives become your surrogate family
(Bella)

Guys quit their jobs and give up their best buddy's approval just to be with you (Knocked Up, Bella)

You see the light and cancel your abortion seconds before the procedure begins (Sex and the City, Juno)

Keeping the baby gets you your boyfriend back and makes you realize you really do want to get married to him, after rejecting him for years (Sex and the City)

Abortion is  fine for someone else, but not for someone heroic and plucky like YOU! (ALL)


Quince Now, don't get me wrong; I enjoyed these movies. I laughed, I quoted the best lines, I sighed over the hot sex and loving moments. I choked up. Really.

But the overall effect was disquieting. The movies are farces, masquerading as romantic comedies. In a couple cases, it alarmed me that they couldn't utter the word "abortion" aloud, no matter how many naked boobs, swear words, or bong jokes were included.

I asked my friend and culture critic, Laura Miller, what she thought about these abortion-free flicks:

LM: They bothered me, too. Fictional characters are barely allowed to consider abortion, but there are some technical reasons why.

You don't make a character pregnant just to have it go away with a minimum of fuss; pregnancy and a baby provide the kind of conflict that drives stories. So if a story-tellers make a character pregnant to begin with, it's usually because they want it to play out.

They might try to milk a little extra drama out of her deciding whether or not to terminate, but that's about it. Some of this is probably a moral thing, but a good portion has to do with the necessities of generating plot.

As for a movie where someone does decide to have an abortion— I think it's hard to ever present this as an affirmative experience.

Sure, people have them, get on with their lives, and are grateful for the choice. But it's not like anyone's ever happy that they had to have an abortion, only that they had the option. Like a root canal, it's a hard experience to build a movie around, especially now that fewer people remember what it was like when abortions were illegal.

There was a Mike Leigh movie, Vera Drake, about an abortion-provider, and another movie called Citizen Ruth that I never saw, but I know was an unconventional take on the abortion battles.


Miranda SB: Well, I was filled with happiness and relief in the aftermath of the two abortions I had. A root canal never gave me insight or inspiration to do anything.

In the case of my first abortion, the aftermath was the beginning of my realization that I was capable and desirous of having  a child. I could feel the possibility, the confidence, for the first time. I didn't see that coming. I ended a relationship that I hadn't had the guts to say "No" to before. It was like I grew a spine— and my maternal instincts— out of the abortion decision.

I had a supportive, enlightening, and even sentimental experience at the abortion clinic, which is either an anomaly, or has simply never been shown on screen.  By sheer coincidence, two acquaintances of mine were in the same recovery room; we were in each other's arms as soon as we could sit up! Physically, it was painless, and my doctors were awesome.

The second time, I already had a kid and was clear I didn't want to go through pregnancy again. Instead of my early naïveté, I bore the realism of self-supporting motherhood. My relationship with my partner became a lot closer after that, and I didn't necessarily expect it, because his biological clock was the one ticking at that point.

These aren't experiences I ever thought of fashioning a story or a script about...  they're complicated. I can't even say I understand them all yet. Motherhood's the hardest thing I've ever done. I've never loved someone so much, I've never been so hurt, so thrilled, so blown away, or felt so stupid, or proud. To have control over my reproductive life so far has made all the difference. If I hadn't had birth control, if I hadn't been able to have an abortion... well, I would've likely met the fate of  the earlier generation of women in my family tree, who had babies every year until they dropped dead at an unseemly young age. There's a movie for ya!

KnockedupLM: I agree that in real life being able to terminate can be a liberating, positive experience, but I'm not sure it would play that way. That's the difference between drama and life, I think, which people are prone to forget.

In reality, you have a whole idea of the life that you expect to be leading over the next "X" years, and you're attached to it. That imagined life can be as real to you as your actual past. But there's no way to render that imagined life in a movie. Drama is all about conflict and change, not about things going on the way they were before.

SB: I think my critical eye is twitching at these smushmortion-flicks because there's little else to balance their p.o.v. It's a dilemma inspired by the poverty of representation. There are hardly any popular films about women's lives, so the ones that do appear are going to get raked over the coals by the last feminists standing.

When one of these Romantic Cutie Trends gets going, I get queasy. It's like Pretty Woman all over again. Plucky Prostitute is now Plucky Preggers. Bite Me!

My favorite "abortion" movie of all time so far, is one that makes no pretense that it's a farce.

Saved! is about a girl at a Christian private school who tries unsuccessfully to get her boyfriend to give up his homosexuality. She fails in her attempt, but ends up pregnant anyway. Everyone in the movie  loses their fragile grip with the hypocrisy that surrounds them. It's totally ludicrous and yet truer than any of the "Smushies" that came out last year. 

Here's one of my favorite scenes:



December 25, 2007

The Snowman

December 18, 2007

Wachowskis and Bright Do "Directors' Commentary" on Bound

And they said they'd be delighted!

This "director's commentary" on the movie, Bound, was one of the first of such commetaries... it was done for a Laser CD edition, before the advent of DVD's.

(Bound was the movie that Larry and Andy Wachowski made before their big hit, The Matrix. They asked me to consult on the lesbian characters and sex in Bound's script).

The Wachowskis, the editor, and I, were the only ones who showed up for the first hour, because the actors and everyone else were pretty dubious of these newfangled "commentaries." We were considered the real geeks who couldn't resist trying it out. It's all improvised;  we're just sitting down at a small table and watching the movie on screen.

I had a Coke and Larry and Andy had beer. Then Joey came in, during the first third, and he ordered something from takeout. This was before he was cast in his famous role in the Sopranos, and he was so grateful to the Brothers for this casting.


Continue reading "Wachowskis and Bright Do "Directors' Commentary" on Bound" »

December 04, 2007

My Favorite Movies I Just Happened to See in 2007

Berkeley When you look at my list of favorite screenings this year, you may well conclude that Miss Susie doesn't get out much. All but one film I've listed is from another year gone by.

I'm not lazy or disinterested in current cinema: it's just that most NEW films I saw the past twelve months, plain stunk-- or were oddly unfinished.

Michael Clayton, Into the Wild, No Country for Old Men, The Simpsons' Movie, Before the Devil Knows You're Dead-- I went into all of them with such high hopes.

But then something would fall off the picture like an old hubcap. Did someone lose their completion funds? Strangle the screenwriter in a fit of pique? 

Meanwhile, the physical experience of theater attendance continues to go the way of the dodo bird and the tolerable Coach flight.

I am so happy to eat chocolate bread pudding, sprawled on my sofa in a lace slip with a White Russian on the side-- bathing in the ambient light of my Epson projector lighting our pull-down screen. It takes an Act of Zeus to drag myself to the pits that pass for film theaters in this town.

I will recommend a couple exceptions, in case you're ever in Santa Cruz. The Del Mar art-deco theater is a 1930s restored palace, which is heaven to sit in, while enjoying your Black China Cupcakes with an excellent cup of coffee. Still no hash bar, though.

The same owner screens great movies at the Nickelodeon, around the corner, but you need back pillows to make it through a 80 minute flick.

Our fantastic drive-in and swap meet site, the fifty-eight-year-old SkyView just closed down last weekend, forever. I watched one final terrible movie on Saturday, in the back of my van, stuffed in a double sleeping bag. It was still swoon-worthy. I don't recommend "Fred Claus," that's for sure-- but I sob over the demise of this joint. I wouldn't be surprised if that's the last drive-in I have the privilege of making out in.

I am determined to see, in a theater, before the New Year: American Gangster, Enchanted, Gone Baby Gone, Darjeeling Ltd., This is England, Pete Seeger: The Power of Song, and Juno. Please advise me if I am making a terrible mistake!

What have been your favorite movies you've see this year, regardless of when they first came out?

And now...  the very, very best of my 2007 Netflix Queue:


Continue reading "My Favorite Movies I Just Happened to See in 2007" »

November 29, 2007

You've Never Seen the Ramayana Like This


I am captivated by this trailer for "Sita Sings the Blues," Nina Paley's take on "the greatest breakup story ever told." I'm going to see the sneak preview in San Francisco this weekend, but you can bother her yourself and find out when she will release her little bit of genius to the world!

September 11, 2007

Saddle Up and Be a Righteous Porn Critic

I've just created a new blog-toy I'm eager to take out for a spin.

It's a little form that makes it easy for you to submit your very own discerning porno review to our very own Cinderella project, the Random Honest Porn Review blog.

Now, you too, can write a brilliant X-blistered critique in a couple minutes, and I can load it almost as fast!

What is RHPR? It's apparently the only place on earth where people don't lie.

Speaking of memorable films— although not X-rated— I went to see the neo-Western, 3:10 To Yuma last night and it is FANTASTIC.

Elmore Leonard wrote this short story in the '50s when he was an unknown, grinding out Western pulps. It was made into a movie with Glenn Ford & Van Heflin in 1957. Even then, you can see the master storyteller at work.

Ten minutes into the new movie, I spilled a scalding large coffee all over myself, from tits to knees, and screamed in agony at an inappropriate moment. I STILL didn't leave the theater because I was so enthralled.

Russell Crowe and "fuck-me-now" Christian Bale are the leads, Peter Fonda steals every scene, and Ben Foster is the most deliciously psycho-queer sadist cowboy you have ever seen in your brokeback life. Yee-ha!

July 12, 2007

Susie Bright (& Shirley MacLaine!) on The Children's Hour

From The Celluloid Closet.  Isn't Shirley great? All the actors who provide commentary in this documentary are so well-spoken. Susan Sarandon is priceless in her commentary on "The Hunger," as well.


February 14, 2007

Alicia Erian Takes Off The Towel

Towelhead4"THOMAS SAID, “I thought of something you could do to impress me.”

“What?” I asked. It was Hamburger Day and I was tearing open a plastic packet of mustard.

“Have sex with me.”

“Okay,” I said.


An excerpt from the novel, Towelhead, by Alicia Erian, from Best American Erotica 2007.

 

“Really?” he said. For the first time in a long while, he sounded kind of friendly.

“Yes.”

“Great,” he said. “When?”

“Whenever you want.”

“Well,” he said, “I guess we need to figure out a place first.”

“We can’t do it at my house,” I said. I couldn’t risk Mr. Vuoso and Zack telling on me again.

Thomas nodded. “We can do it at my house.”

“What about your parents?” I asked.

“They’ll be at work.”

“What if they come home?”

“They won’t. They never come home early.”

“I’ll have to walk home,” I said.

“You can take a taxi,” Thomas said. “I’ll pay for it.”

I thought about this, then said, “All right.”

“Can we do it today?” he asked.

“Do you have a condom?”

“No.”

“Then we’ll have to wait until tomorrow. I have one at home I can bring.”

“Where’d you get it?”

“From Mr. Vuoso’s duffel bag.”

“I don’t want to use that racist’s condom.”

“You have to,” I said. “It’s the only one we have.”

Story continues here...


26_1271a13190_p Interview with the author, Alicia Erian:

SB: I know you didn't write this as a Young Adult novel— and yet when I first read it, I thought, "This is a great story for anyone who is actually Jasira's age, 15."  But YA novels aren't supposed show any pleasure in sex, are they? They are ultimate contradiction-- adolescent lives without sexual self-interest.

AE: The same week you told me you'd picked Towelhead for Best American Erotica, I was  informed by The New York Public Library that the book had been named as one of their "Best YA Novels of the Year."

In all honesty, it's not a book I'd buy for a 14-year-old. But I would probably buy it for a 15 year old. I don't even know if there's a difference. However, I  feel strongly that books are not like movies or TV. If a kid finds a book and wants to read it, that's her right. How many books did you and I read when we were younger that we "weren't supposed to?" The book that is given is very different from the book you take for yourself.

I was touched by Jasira's innocence about racism. She's constantly victimized by it, and yet her own concerns are that she might be at fault. She worries that her high school boyfriend Thomas will never forgive her for her parents' bigotry. She falls for the "You are racist unless you go to bed with me" line. What were you thinking about when you composed these scenes?

In high school i wanted to date a black kid named Andre, and my parents said I couldn't. My mother called my father, and he called and explained that this would ruin my reputation. He's Egyptian! My mom is white!

Several years later, my mom had a longterm black boyfriend. She admitted then that she was ashamed of having prevented me from seeing Andre in high school. My best friend at the time, Maureen, was horrified that I would listen to my parents, like the "Denise" character in Towelhead. She was the first person who got me thinking that I had my own mind, that I could disobey a parent. I'd never thought of that before.

Jasira is less of a weenie than I was. When I told Maureen about my parents' rules, I cried. That was part of what irritated her, I think. She was, like, "What's the matter with you? Your parents are retards. Don't be such a baby." As dopey as Jasira can be at times, I think of her as a wacky little warrior.

You did a good job of making me hate Jasira's mom and dad— I wanted to strangle them several times. Aside from their quirks, prejudices, and hangups, they were both supremely narcissistic. Am I reading too much into it?

Hell, no. I was raised by two Card-Carrying Narcissists. These people, they just destroy their kids. I had to write Towelhead to try to pay off my therapy bills!

Narcissists breed kids who are desperate for love and attention and make lots of stupid choices about how to get those things. One of my early inspirations for writing T-head was a comment my brother made about my father. He said, "I try to explain to my friends about Dad, and they all say, 'Oh, c'mon, he doesn't sound so bad.'" I felt terrible when my brother said this, that he didn't have the words to talk about our
experience.

Jasira makes a friend in a kindly, if ambivalent, feminist neighbor next door, who shares a copy of Our Bodies, Ourselves. What about early feminism made a big impression on your sexuality?

It was just that: the books. My mother's copies of Our Bodies, Ourselves, The Joy of Sex , her Anais Nin collection. I spent a lot of time reading this stuff while she was at work. I didn't know it at the time, but it was Susan Brownmiller's book about rape, Against Our Will, that made the strongest, freakiest impression. I read it as porn, which I feel, to this day, that it is. Since porn isn't a dirty word to me, I don't mean this as an insult, but fact.

As a kid, I found the book scary and titillating. I knew what rape was, and I also grew afraid of it happening to me after reading this book. If it did ever happen to me, god forbid, my thoughts on this subject could change entirely. But as a kid, that book made me horny. I wasn't a particularly guilty kid, and am not a particular guilty adult— shame is my poison— so I was able to puzzle over how weird it was that this "bad stuff" turned me on. This concept figures heavily into my writing: the way things are vs. the way they should be.

I reject the idea that women are locked out of the huge sexual appetite club because that's for men. I love "male-gaze" pornography. I get irritated when other women try to tell me I'm not supposed to. What turns you turns you on. Feminism, to me, means in part that women are never asked to try to find something "a little more appropriate" to be turned on by.

When you consider your teenage self, what part of your sexuality remained essential, as you grew older, and what changed?

I'm pretty much the same cavewoman I've always been. However, after I got divorced, I was very careful to find someone who was as horny as I was. I was shocked by the number of men I met who weren't particularly interested in sex. Finally, though, I stumbled across the horniest man on the planet. He has a lot of testosterone, and is appropriately impressed by the fact that I do too. It's  sexy to me that he's 47 and in such good working order.

Imageshowasp Can you say anything about the film version in the works? What a great role for a young woman.

I can tell you that the movie is fucking awesome and it's going to blow people away. It'll come out this year, though I don't know when.

Alan Ball, the director, is a brilliant man, and Peter Macdissi, who plays Daddy, is unstoppable. You can't take your eyes off him.

Jasira is played by a newcomer named Summer Bishil and she's gorgeous, sexy, charming, funny, and so lovable.

Toni Collette plays the feminist neighbor, Melina, and Maria Bello plays Jasira's mom Gail. Thomas is played by a very cute young man named Eugene Jones, and Mr. Vuoso is played by Aaron Eckhart, who is unbelievably sexy and amazing.

Summer had just turned 18 when filming started last fall, and her mom was there every day on the set, supporting her. I think she's going to get a lot of attention after the film debuts. She deserves it.

Could you describe what a "proper" Arab-American girl growing up in the US is supposed to act like?

I'm so disconnected from Arab culture. I never wanted any part of it as a kid. It was all lumped in with my father, who I didn't like. My general impression has always been that sexuality is really a no-no. Talking about it, reflecting it in dress, attitude, whatever. Just: No.

The hard thing for someone who is an Arab, and living in the US, is that behavior inside your home isn't necessarily going to mesh with what's going on in the world around you. it's hard to flip those switches on and off, just because you happen to cross the threshold of your front door.

I consider myself a fierce feminist. My mother is too. She started an abortion fund in the late sixties for women who couldn't afford one. It only had $400 in it, but whatever. She does a lot of volunteer work for the League of Women Voters. Narcissism aside, she has great ideas about how things should be for women. Especially that women should have and enjoy sex and be at ease with their bodies.

How does your own family view your critique?

I don't speak to my father, but my brother does. He reports my father as having referred to me as "his daughter who makes her living off of how much she hates me." Apparently he doesn't  tell people he has a daughter.

I'm so tough-hearted about him at this point in my life. It's probably a defense, but I find it funny, his commentary. He never thought I should be a writer. Never had faith in my abilities. It's funny now, tickling that fact in my head every now and then.

My mother is chagrined, but does her best. She has moments of great lucidity where she gasps at what a shitty parent she was, and says she hopes I can earn as much money off her as possible. Other times, though, she's defensive and kind of mean.

You obviously weren't writing an erotic book, per se, but you must have had some thoughts about how you wanted to handle the sex scenes... Tell me!

Oh, I'm almost always writing an erotic book. Here's something interesting: now that, for the first time in my life, I have a sex life that is up to my standards, I have almost no interest in writing about sex. For a long time it was what I wrote about, because I was so sorely lacking in it. I was managing my frustration.

Most sex scenes are best handled in a concrete and straightforward way. I like to think  my sexual prose is the equivalent of a porno film, where there's not too much lovey-dovey stuff, in favor of lots of action. I like people to show their desire through their greediness. I like them to show their excitement through less-than-stellar choices made for the sole purpose of instant gratification. If I succeed in getting someone aroused with my work, it's because I've succeeded in removing all judgment from the scenario. I've reduced each character to the animal that he or she truly is. The End!

December 28, 2006

I Lost It At the Movies

Bara_theda_01 End-of-the-year movie round-ups give me the grateful chance to see all I've missed— that's plenty— and plot hours of future film-gorging at my big screen trough.

The deep plushie of "best-of" movie lists is the Greencine blog, where you'll find Fuck-You-Hollywood sentiments in abundance. GC editor David Hudson keeps track of all the brilliant movies you never heard of, and he also keeps all the half-baked celebutards OUT. It's a velvet rope I'm grateful to see him swing.

It's interesting to note that the only American movies worth remembering this year were anti-establishment in their political views, be they comic like Little Miss Sunshine, or the unsparing United 93. "Sex" and "War" were the only two topics American filmmakers excelled at unraveling, but that's what you get when you're stuck in unbearable empire-building driven by the puritanical sleazebags. 

Although I steeled myself to watch the serious stuff, I craved escape. The silky side of my movie year was spent fantasizing about me and Helen Mirren, or me and Daniel Craig— or maybe just a drug orgy with Alan Arkin. If you had to ask me what the sexiest movies were I saw this year, of any vintage, I would say, "Just look them up, their whole catalog."

What actor(s) captivated you this year, and which movies did you find yourself thinking about more than twice?


The photo above is of Theda Bara, one of silent movie femme fatales of the 20s who my grandmother, Agnes Williams, adored. Agnes got Theda's autographed photo, plus a whole collection of other stars' studio portraits, when she had a job as a teenager playing the piano at Fargo's first silent movie theater. One of these days I'll scan them all and make a slide show for the blog— they're gorgeous.

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